In the area of visual design, I studied expression through form and movement to understand how these elements evoke emotion by communicating a message without relying on sound. Through researching visual design culture and the role of form and movement in art, I gained new perspectives into their functionality in art. I felt particularly moved by the idea that form is the state where a viewer feels one and distinct from the work, and movement exists as any abstract or literal representation of change.
For the installation, I merged the craft of creative coding and photography to create an immersive experience. My project explores the concept of human emotion as a reaction to form and movement. Using Adobe Photoshop, I edited self-portraits to represent form, then I integrated the images into Processing where I coded a sequence that randomly flashes various visuals to reflect movement.
My final installation was set in a small, dark room with nothing but a TV and chair. Audience members individually sit up close to the screen, wearing noise cancelling headphones, and watch the visuals for one minute before taking a survey regarding their emotional response and interpretation of the experience.
After viewing my installation, I started with asking viewers short questions only requiring one-word responses. While only one person detected their emotions changing throughout the experience, the majority did feel impacted, and every participant reported feeling connected to the work. Each individual stated different memories triggered by the experience; however, each response has an underlying theme of unease and tension.
For the second part of my survey, participants were asked open-ended questions. Interestingly, each individual had a separate meaning associated with the piece, each response appearing to result from some prior experience in their life. Ultimately, I feel as though my installation successfully evoked an emotional response relating to a terror personal to the viewer.
I spent the majority of my time coding in Processing. Starting with creating multiple arrays that move horizontally across the screen, then I programed the stripes to move in opposite directions while flowing in a greyscale pattern. To create more overstimulating visuals, I randomized the transparency and speed at which the arrays flash. Once the majority of my code was finished, I imported my photographs and randomized both the rate of change and the order in which each image appears on the screen.
With my iPhone, I took self-portraits in my apartment and slowed the shutter speed to achieve the blurring effect. Once I was satisfied with various images, I edited the visuals using the adjustment settings on my camera roll. Then, I imported them into Photoshop where I removed the background and smoothed any issues with the blur and filters.
Utilizing an open space in my apartment, I removed everything except for a single chair, TV, and noise-cancelling headphones, and I made sure the room was completely dark at the time participants viewed the installation.
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